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5 Street Wear Moments By Sphokhule N You Need to See

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Sphokhule N dresses how a lot of us wish we could, easy, cool, and true to herself. Her streetwear feels real. No extra effort, no pretending. Just clothes that look good and feel like her. These five outfits caught my eye, and honestly, they deserve a proper shout-out and of course a chance for you to steal new wardrobe ideas for this week.  

She Owned the Court in Tracksuit Power

 

Sphokhule N Street Wear

Sphokhule N

On a bright green tennis court, Sphokhule stepped out in a black and white tracksuit with a twist. The cropped jacket showed some skin. The wide-leg pants had wavy white lines down the sides with bits of leopard print built into the design.

She wrapped a black and white design  bandana around her hair, wore bold gold hoops, and stacked gold necklaces around her neck. She finished the look with platform sneakers. Every detail felt intentional. 

 

She Let the Denim Speak

 

Sphokhule N street wear

Sphokhule N

This look came with quiet strength. Sphokhule wore a rust-brown asymmetric top with a silver ring at the front. She styled it with wide-leg dark denim jeans that showed off neat seams and sharp cuffs folded with contrast.

She carried a dark brown structured leather bag with a dangling silver charm. Her braids fell forward over her shoulders. 

 

She Played with Pink and Didn’t Hold Back

 

Sphokhule N street wear

Sphokhule N

This one felt fun from the start. She wore a pink crop top covered in silver studs shaped like hearts and crosses. She paired it with a mini denim skirt, light blue, distressed, and playful, with the pocket lining stylishly peeking out beneath it. 

 

She wore gold heels with colourful beads that swayed around her ankles. Her long braids hung loose, some falling over her shoulders. On her hands, rings stacked across her fingers, with a chunky silver pendant resting on her chest and bracelets adding the final touch. No forced poses, just calm, steady, and sure of herself.

 

She Made Stripes Look Effortless

 

Sphokhule N street wear

Sphokhule N

Sphokhule wore a pink and white striped two-piece, a matching bralette, matching shorts, and a matching loose short-sleeved shirt layered over it. She left the shirt open, which made the whole look feel relaxed and easy. She paired it with white sneakers and a leopard skin bag.

 

She Turned the Street into a Canvas

Sphokhule N street wear

Sphokhule N

This outfit felt like a painting. Sphokhule wore a black-and-white midi dress with marble-like swirls and thin straps. The dress hugged her body perfectly. She styled it with black boots that had white embroidery, an unexpected touch that worked so well.

 

She carried a black handbag and styled the look with a silver heart-linked necklace and small earrings. Her braids, neat and long, flowed down her back and matched the vibe perfectly. Every piece worked together without trying too hard.

 

Sphokhule’s streetwear always stands out with confidence and attitude. Her style feels real. Every outfit looks like a piece of her story. Sometimes it’s loud, sometimes it’s not. It’s not fake, it’s not for show. It’s just her, showing up fully,  every single time. And that’s what makes her unforgettable.

 

So, if you’re constantly confused about what street wear to style up next, pick a pen and paper and learn from the books of Sphokhule N’s street wear. 

Read Also: Thuso Mbedu’s Best Denim Street Style Moments 

 

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Fashion

Bryoni Govender Brings South African Style to Jaipur

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Bryoni Govender has joined a South African creative project in Jaipur, India, as part of the 2026 Art of Collaboration. The project brings together fashion, beauty, jewellery, design, film and photography under the theme Heritage in Dialogue, Luxury Redefined.

Founded by South African designer Stephen Van Eeden, the Jaipur edition places South African creative work alongside the city’s established traditions of craftsmanship, textiles, jewellery and architecture.

Photo: PR

Govender’s involvement also reflects her own South African and Indian heritage. That connection is explored in Where I Belong, a fashion film directed by Paula Zapata, with Maropeng Vushangwe as director of photography. The film forms part of the wider Jaipur project.

Van Eeden led the creative direction, while fashion and lifestyle photographer Christine Le Roux captured the still images. Tanya Vos worked on make-up and Carissa Bosman handled hair styling in Jaipur, with Marlene du Toit contributing to the hair work at Lanzerac in South Africa.

Photo: PR

The project includes South African brands and creative businesses across beauty, fragrance, eyewear, fashion and hospitality. The Leela Palace Jaipur and Lanzerac Hotel & Spa are also part of the project.

The Jaipur edition follows previous Art of Collaboration projects in New York in 2019, Cape Town in 2020, Paris in 2022 and Marrakech in 2024. The 2026 edition was unveiled on 10 September with the premiere of the project film and documentary trailer, alongside presentations of the work created for the Jaipur chapter.

For Govender, the project follows her previous use of fashion to explore her heritage. In 2023, when she represented South Africa at Miss Universe, her national costume drew from Indian and African influences, combining a sari-inspired design with Zulu beadwork and an Ndebele-inspired pattern. Govender described the outfit as a reflection of her two heritages.

Photo: PR

She also spoke about her changing approach to fashion in a 2024 interview with TrueLove, saying she was still learning what suited her in terms of colour, texture and shape. She discussed moving away from darker clothing and becoming more comfortable with colours that complemented her skin tone.

Her appearance in Jaipur brings those elements together in a project that places South African creative work in an Indian setting, while using fashion, film and photography to explore heritage and identity.

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Gert-Johan Coetzee Opens First Retail Boutique in Johannesburg

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Photo: Instagram/@GertJohancoetzee

Gert-Johan Coetzee has launched his first retail boutique in Johannesburg. This will allow customers a permanent space to shop his designs. The place is located at the Winifred Mandela Precinct at Nicolway Shopping Centre in Bryanston.

The designer is known for his red-carpet creations and celebrity dressing. Customers can shop ready-to-wear pieces from the latest collection. It also carries limited-edition accessories and merchandise created for the Bryanston location. One of the additions to the store is the designer’s Ndlovu luxury handbag range. The bags are available in-store and on demand. 

Photo: Instagram/@GertJohancoetzee

The store also stocks Coetzee’s fragrance collection. The range consists of six fragrances which are Gimme Gimme, Eau de Trouble, Rumours & Roses, Top Secret, Shhhh and Uncontainable. The designer draws inspiration from fashion career and his experiences in Grasse, France. 

Read Also: 8 Female Designers Leading the Way in Fashion

The fragrance collection was introduced to South African shoppers in August through a retail collaboration with TFG, with a launch at Foschini in Sandton City.  According to Ofentse Marobane, Head of Retail at Gert-Johan Coetzee :

“Our goal with the private shopping experience is to offer clients an intimate, elevated environment where they receive our complete and undivided attention,”

Photo: Instagram/@GertJohancoetzee

The new boutique has been designed to match the look of the fashion house. The interior uses marble and other premium stone surfaces, with aubergine accents. Clothing is displayed as part of the store’s interior design. 

Opening hours are from Monday to Saturday between 9am and 6pm. On Sundays and public holidays, they open from 9am to 3pm. 

Photo: Instagram/@GertJohancoetzee

The new boutique brings Coetzee’s fashion, accessories and fragrance offerings together under one retail destination.

The new retail space offers direct access to Gert-Johan Coetzee’s collections without relying on external stockists. It also gives the designer a physical presence in the city as his brand continues to grow.

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Precious Moloi-Motsepe’s Influence Across Fashion, Beauty and Business

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Photo: Instagram/@Precious Moloi-Motsepe

Precious Moloi-Motsepe has built a career spanning medicine, fashion, business and philanthropy, but her strongest influence on South Africa’s fashion industry has come through African Fashion International (AFI), the organisation she founded in 2007.

AFI was created to promote African designers and give them access to platforms beyond the traditional fashion show. Over the years, it has grown to include fashion weeks in Johannesburg and Cape Town, designer development, retail, international showcases and industry partnerships.

Photo: Getty Images

One of its key initiatives is the AFI Fastrack programme, which supports emerging designers with business development, mentorship, networking and market exposure. Its alumni include South African designers Thebe Magugu and Rich Mnisi, who have since built international careers. The programme reflects Moloi-Motsepe’s focus on the business side of fashion, giving young creatives tools to develop brands as well as collections.

That approach has helped position fashion as more than a creative pursuit. AFI has consistently placed emphasis on the commercial realities facing designers, including production, marketing, business management and access to markets. Moloi-Motsepe has also spoken about the challenges facing South Africa’s clothing industry, including production costs and limited manufacturing infrastructure.

Photo: Simon Deiner / SDR

Her influence reaches into beauty and lifestyle through the broader fashion platforms AFI has developed. Its events bring together designers, stylists, musicians, celebrities and beauty professionals, placing clothing alongside hair, make-up and entertainment. AFI’s work around major events, including the Metro FM Music Awards, has further connected fashion with South Africa’s music and entertainment industries.

The international side of her work has also expanded. In 2025, AFI was involved with Superfine: Tailoring Black Style, the Metropolitan Museum of Art exhibition exploring Black dandyism and its history. AFI also co-hosted Afro Dandy: Tailored for Africa with Harvard’s Center for African Studies in New York, extending the conversation around African fashion beyond the continent.

Photo: Getty

Back in South Africa, AFI continues to provide platforms for established and emerging designers through fashion events, retail initiatives and collaborations. The organisation has also developed its own fashion ventures, including NALA Privé.

Moloi-Motsepe’s business interests extend beyond fashion. Through the Motsepe Foundation, which she co-founded with Patrice Motsepe, she has been involved in education, entrepreneurship, community development, sport, music and leadership programmes. The foundation has also supported bursaries and initiatives aimed at expanding opportunities for young people.

Photo: Getty

Her career is therefore less about designing clothes herself and more about building the structures around those who do. Through AFI, she has spent almost two decades connecting African designers with audiences, industry professionals and commercial opportunities.

That has made her work relevant across fashion, beauty and business. The clothes may be what audiences see first, but Moloi-Motsepe’s contribution has largely been behind the platforms, programmes and partnerships that help African creative businesses grow.

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