Music
Travis Scott, Tyla & Vybz Kartel – PBT Official Video Review
Travis Scott’s new video, PBT, lands as a rare international collaboration, bringing together South African star Tyla and Jamaican dancehall icon Vybz Kartel. Filmed in Tokyo under director Nabil, the visual balances cinematic calm with bursts of unexpected energy, reflecting the track’s mix of global sounds.
The video opens with Scott and Tyla in separate hotel rooms, preparing quietly while the city’s neon-lit streets hum around them. Their eventual meeting is understated, a quiet connection rather than a dramatic showpiece. Kartel enters later, not as a central character but as part of the nightlife, adding a dancehall element that shifts the energy without dominating the story.
Credit – Instagram
Musically, PBT blends South African pop, Houston-style rap, and Jamaican dancehall in ways that divide listeners. Tyla’s hook introduces her distinctive South African pop sensibility, complementing Scott’s rhythmic flow, while Kartel’s verse introduces a punchy, rhythmic contrast. Some fans praise the bold combination of styles, while others find the shifts jarring. Either way, it creates a track that defies conventional expectations and sparks conversation about global collaboration.
Credit – Instagram
Nabil’s direction focuses on mood over plot. Long shots of Tokyo streets, neon reflections, and careful pacing keep attention on atmosphere rather than spectacle. The visual style reinforces the track’s intent: a meeting point of cultures and sounds, rather than a traditional narrative.
Beyond music and visuals, PBT highlights the power of global collaboration. For Tyla, it continues her ascent into the international music scene. For Kartel, it demonstrates dancehall’s lasting influence. For Scott, it’s part of an ongoing experiment, merging artists from distinct musical traditions to create something larger than any individual style.
Credit – Instagram
By the end of the video, PBT challenges viewers to reconsider genre boundaries, global collaborations, and how artists honour their roots while reaching international audiences. It doesn’t offer easy answers, but it succeeds in starting conversations that extend beyond the screen.
Beyoncé has released ‘Morning Dew (Donk)’ without prior announcement, giving fans their first new solo song since 2024’s Cowboy Carter. The track arrived over the Fourth of July weekend in the United States and quickly drew attention across streaming platforms and social media.
The release also launches the 20th anniversary celebrations for B’Day, Beyoncé’s second solo studio album, which was released in 2006 and featured hits including Irreplaceable, Déjà Vu and Ring the Alarm. According to information released alongside the song, Morning Dew (Donk) was recorded during the B’Day sessions but did not make the final track list. It will now appear on the album’s upcoming anniversary edition, nearly 20 years after it was first recorded.
Beyoncé – Instagram
The song reunites Beyoncé with longtime collaborators Pharrell Williams, The-Dream and Darius Dixon, who share writing credits. Production was handled by Beyoncé and Pharrell Williams.
To accompany the release, Beyoncé shared a lyric video featuring archival footage filmed by photographer and director Cliff Watts during the B’Day era. The black-and-white visuals show the singer during a 2007 photo shoot, linking the newly released track to the period in which it was originally recorded.
Beyoncé – Instagram
Rumours about a song titled Donk had circulated for years after references to the track appeared in music industry databases, but it was never officially released. Its arrival resolves long-running speculation surrounding the recording while adding another chapter to the B’Day anniversary celebrations.
The release also comes as fans continue to speculate about Beyoncé’s next studio project. Following Renaissance and Cowboy Carter, many have been expecting the third instalment of her planned trilogy. While Morning Dew (Donk) is a previously unreleased recording from the B’Day sessions rather than a preview of a new musical direction, it arrives at a time when interest in her next project remains high.
Beyoncé – Instagram
By opening the B’Day anniversary celebrations with an unreleased recording from the vault, Beyoncé has revisited an important chapter of her career while giving listeners a chance to hear a track that remained unfinished business for nearly two decades.
Tyla has reached another career milestone by becoming the first artist to spend 100 weeks at No. 1 on the Billboard U.S. Afrobeats Songs chart. This feat shows Tyla’s growing influence in the world’s biggest music market. The record was confirmed after her latest hit, Is It Love, climbed to the top of the chart.
The Billboard chart was launched in 2022 through a partnership between Billboard and Afro Nation, it used streaming activity, digital sales and the data to arrive at the result. The chart is used to measure African music’s appeal in the American market. To achieve such a feat, the artist needs huge listener engagement. According to Chart Data, she has double the #1 of her closest competitors.
Photo: Instagram
Read Also: Tyla Wins ‘Best Afrobeats Artist’ at the 2026 American Music Awards
Tyla’s record breaking run is because of her numerous successful singles, not just a single hit. Her single, Water, remained at No. 1 in the U.S. Afrobeats chart for 55 weeks. Also, the success of Push 2 Start, Chanel, and now Is It Love contributed to her historic 100 week total.
Tyla’s success is a testament of her talent. In recent years, Afrobeats and amapiano have featured on international streaming platforms and music festivals. Her dominance shows that African artists are no longer pushovers.
Photo: Instagram
The record came at a time Tyla’s second studio album, A Pop, is gathering international momentum. With four No. 1 songs in the U.S. She has raised the benchmark for future artists on the chart. Her latest achievement is a landmark moment for South African music and the wider African music industry.
Tyla has reached another career milestone by becoming the first artist to spend 100 weeks at No. 1 on the Billboard U.S. Afrobeats Songs chart. This feat shows Tyla’s growing influence in the world’s biggest music market. The record was confirmed after her latest hit, Is It Love, climbed to the top of the chart.
The Billboard chart was launched in 2022 through a partnership between Billboard and Afro Nation, it used streaming activity, digital sales and the data to arrive at the result. The chart is used to measure African music’s appeal in the American market. To achieve such a feat, the artist needs huge listener engagement. According to Chart Data, she has double the #1 of her closest competitors.
Photo: Instagram
Read Also: Tyla Wins ‘Best Afrobeats Artist’ at the 2026 American Music Awards
Tyla’s record breaking run is because of her numerous successful singles, not just a single hit. Her single, Water, remained at No. 1 in the U.S. Afrobeats chart for 55 weeks. Also, the success of Push 2 Start, Chanel, and now Is It Love contributed to her historic 100 week total.
Tyla’s success is a testament of her talent. In recent years, Afrobeats and amapiano have featured on international streaming platforms and music festivals. Her dominance shows that African artists are no longer pushovers.
Photo: Instagram
The record came at a time Tyla’s second studio album, A Pop, is gathering international momentum. With four No. 1 songs in the U.S. She has raised the benchmark for future artists on the chart. Her latest achievement is a landmark moment for South African music and the wider African music industry.
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