Fashion

Pamela Mtanga’s Winter Layers Are All the Inspiration You Need

Published

1 year ago

16 July 2025

We are going to say it as plainly as it should be, Pamela Mtanga dresses so well, we are worried if we can catch up with her style. You can’t help but notice that there’s no confusion in her style. No loud screaming for attention. She just shows up looking ready, every single time. And this winter? She’s doing it again. Layered, warm, calm, and still very much her while teaching us all the things we’ve probably never read about winter fashion.

The first outfit is one of those looks that makes you pause and take out your note pad and a pen. She’s wearing a black ribbed top, fitted, neat, nothing complicated. On the bottom, a cream midi skirt that moves when she walks. It’s soft but not boring. Then she throws on an olive green knit scarf. Not wrapped ten times around her neck, just thrown over. And then there’s the boots. Tall, glossy black boots that reach up to her knees. They do something. They hold the look together without forcing anything. She finishes with gold hoops, small black sunglasses, and a white tote bag. It’s simple. It’s clean. And honestly, it’s enough.

Pamela Mtanga

Now, the second look is different. More serious. More structured. She’s in a white shirt, the kind that’s crisp, like it just came back from the laundry. Tucked into a full-length dark green skirt that looks like it’s made of croc-embossed leather. It has shape. It holds its own. Over that, she adds long black leather gloves. They reach halfway up her arm. And then she stacks gold bangles over the gloves like it’s nothing. Who does that? Pamela. She does it and it works. A black structured bag sits on her shoulder, and again, pointed black heels, just showing under the hem of her skirt. She looks like someone who doesn’t have time to explain her taste. And honestly, she shouldn’t have to.

Pamela Mtanga

Then we have the third outfit or should we say, the outfit that teaches us most about Pamela’s winter fashion. Maybe the calmest of them all, but not any less beautiful. She’s wearing a soft, grey long coat. Underneath is a simple white top and black wide-leg pants. Nothing tight. Nothing loud. Just good, strong layering. She holds onto a burgundy leather bag, rich, clean, and solid. Her gloves are dark. She has round sunglasses on, and her hair is pulled back. The whole thing feels grown. It feels like quiet money, but without showing off. She looks like she knows who she is.

Pamela Mtanga’s Winter fashion

Now here’s the thing: none of these outfits are shouting. They’re not styled for “likes.” They’re styled with intention. Real pieces. Real warmth. Real layering. These outfits are doing too much and at the same time doing just enough, and doing it well.

Like we like to tell you, the one truth about winter fashion is not about how boring you choose to go out, because of course everyone understands it’s cold outside. Pamela reminds us that winter dressing doesn’t have to be heavy or boring. You don’t need ten jackets and a knitted hat the size of your head. You just need the right pieces. A good boot. A strong coat. A clean base. And the confidence to wear it all like it makes sense.

Because when it’s done right, like Pamela does it, layering isn’t just for the weather. It’s a full outfit choice. And she’s making all the right ones this season.

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Fashion

Bryoni Govender Brings South African Style to Jaipur

Published

3 weeks ago

28 September 2026

Tega Ekeri

Bryoni Govender has joined a South African creative project in Jaipur, India, as part of the 2026 Art of Collaboration. The project brings together fashion, beauty, jewellery, design, film and photography under the theme Heritage in Dialogue, Luxury Redefined.

Founded by South African designer Stephen Van Eeden, the Jaipur edition places South African creative work alongside the city’s established traditions of craftsmanship, textiles, jewellery and architecture.

Photo: PR

Govender’s involvement also reflects her own South African and Indian heritage. That connection is explored in Where I Belong, a fashion film directed by Paula Zapata, with Maropeng Vushangwe as director of photography. The film forms part of the wider Jaipur project.

Van Eeden led the creative direction, while fashion and lifestyle photographer Christine Le Roux captured the still images. Tanya Vos worked on make-up and Carissa Bosman handled hair styling in Jaipur, with Marlene du Toit contributing to the hair work at Lanzerac in South Africa.

Photo: PR

The project includes South African brands and creative businesses across beauty, fragrance, eyewear, fashion and hospitality. The Leela Palace Jaipur and Lanzerac Hotel & Spa are also part of the project.

The Jaipur edition follows previous Art of Collaboration projects in New York in 2019, Cape Town in 2020, Paris in 2022 and Marrakech in 2024. The 2026 edition was unveiled on 10 September with the premiere of the project film and documentary trailer, alongside presentations of the work created for the Jaipur chapter.

For Govender, the project follows her previous use of fashion to explore her heritage. In 2023, when she represented South Africa at Miss Universe, her national costume drew from Indian and African influences, combining a sari-inspired design with Zulu beadwork and an Ndebele-inspired pattern. Govender described the outfit as a reflection of her two heritages.

Photo: PR

She also spoke about her changing approach to fashion in a 2024 interview with TrueLove, saying she was still learning what suited her in terms of colour, texture and shape. She discussed moving away from darker clothing and becoming more comfortable with colours that complemented her skin tone.

Her appearance in Jaipur brings those elements together in a project that places South African creative work in an Indian setting, while using fashion, film and photography to explore heritage and identity.

Fashion

Gert-Johan Coetzee Opens First Retail Boutique in Johannesburg

Published

4 weeks ago

22 September 2026

Fadire Olusola

Photo: Instagram/@GertJohancoetzee

Gert-Johan Coetzee has launched his first retail boutique in Johannesburg. This will allow customers a permanent space to shop his designs. The place is located at the Winifred Mandela Precinct at Nicolway Shopping Centre in Bryanston.

The designer is known for his red-carpet creations and celebrity dressing. Customers can shop ready-to-wear pieces from the latest collection. It also carries limited-edition accessories and merchandise created for the Bryanston location. One of the additions to the store is the designer’s Ndlovu luxury handbag range. The bags are available in-store and on demand.

Photo: Instagram/@GertJohancoetzee

The store also stocks Coetzee’s fragrance collection. The range consists of six fragrances which are Gimme Gimme, Eau de Trouble, Rumours & Roses, Top Secret, Shhhh and Uncontainable. The designer draws inspiration from fashion career and his experiences in Grasse, France.

The fragrance collection was introduced to South African shoppers in August through a retail collaboration with TFG, with a launch at Foschini in Sandton City. According to Ofentse Marobane, Head of Retail at Gert-Johan Coetzee :

“Our goal with the private shopping experience is to offer clients an intimate, elevated environment where they receive our complete and undivided attention,”

Photo: Instagram/@GertJohancoetzee

The new boutique has been designed to match the look of the fashion house. The interior uses marble and other premium stone surfaces, with aubergine accents. Clothing is displayed as part of the store’s interior design.

Opening hours are from Monday to Saturday between 9am and 6pm. On Sundays and public holidays, they open from 9am to 3pm.

Photo: Instagram/@GertJohancoetzee

The new boutique brings Coetzee’s fashion, accessories and fragrance offerings together under one retail destination.

The new retail space offers direct access to Gert-Johan Coetzee’s collections without relying on external stockists. It also gives the designer a physical presence in the city as his brand continues to grow.

Fashion

Precious Moloi-Motsepe’s Influence Across Fashion, Beauty and Business

Published

4 weeks ago

21 September 2026

Tega Ekeri

Photo: Instagram/@Precious Moloi-Motsepe

Precious Moloi-Motsepe has built a career spanning medicine, fashion, business and philanthropy, but her strongest influence on South Africa’s fashion industry has come through African Fashion International (AFI), the organisation she founded in 2007.

AFI was created to promote African designers and give them access to platforms beyond the traditional fashion show. Over the years, it has grown to include fashion weeks in Johannesburg and Cape Town, designer development, retail, international showcases and industry partnerships.

Photo: Getty Images

One of its key initiatives is the AFI Fastrack programme, which supports emerging designers with business development, mentorship, networking and market exposure. Its alumni include South African designers Thebe Magugu and Rich Mnisi, who have since built international careers. The programme reflects Moloi-Motsepe’s focus on the business side of fashion, giving young creatives tools to develop brands as well as collections.

That approach has helped position fashion as more than a creative pursuit. AFI has consistently placed emphasis on the commercial realities facing designers, including production, marketing, business management and access to markets. Moloi-Motsepe has also spoken about the challenges facing South Africa’s clothing industry, including production costs and limited manufacturing infrastructure.

Photo: Simon Deiner / SDR

Her influence reaches into beauty and lifestyle through the broader fashion platforms AFI has developed. Its events bring together designers, stylists, musicians, celebrities and beauty professionals, placing clothing alongside hair, make-up and entertainment. AFI’s work around major events, including the Metro FM Music Awards, has further connected fashion with South Africa’s music and entertainment industries.

The international side of her work has also expanded. In 2025, AFI was involved with Superfine: Tailoring Black Style, the Metropolitan Museum of Art exhibition exploring Black dandyism and its history. AFI also co-hosted Afro Dandy: Tailored for Africa with Harvard’s Center for African Studies in New York, extending the conversation around African fashion beyond the continent.

Photo: Getty

Back in South Africa, AFI continues to provide platforms for established and emerging designers through fashion events, retail initiatives and collaborations. The organisation has also developed its own fashion ventures, including NALA Privé.

Moloi-Motsepe’s business interests extend beyond fashion. Through the Motsepe Foundation, which she co-founded with Patrice Motsepe, she has been involved in education, entrepreneurship, community development, sport, music and leadership programmes. The foundation has also supported bursaries and initiatives aimed at expanding opportunities for young people.

Photo: Getty

Her career is therefore less about designing clothes herself and more about building the structures around those who do. Through AFI, she has spent almost two decades connecting African designers with audiences, industry professionals and commercial opportunities.

That has made her work relevant across fashion, beauty and business. The clothes may be what audiences see first, but Moloi-Motsepe’s contribution has largely been behind the platforms, programmes and partnerships that help African creative businesses grow.