Tyla opted for a grey-blue snakeskin outfit by Mowalola for the 2026 VMAs, wearing a matching bra top and midi skirt that put the print and cut of the two-piece at the centre of her look.

The outfit paired an underwired bra top with thin shoulder straps and a fitted, low-rise midi skirt. The fabric featured a snakeskin pattern in shades of grey, black and blue. The top had shaped cups and a narrow centre fastening, while the skirt sat low on her hips and fell below her knees.

Photo: Getty Images

A matching teal choker completed the look, while small stud earrings kept the jewellery simple. She also wore a turquoise accessory around her ankle and pointed heels with a black-and-white pattern. Her long, straight black hair was styled with cornrows across the front, which continued into loose lengths down her back.

Her makeup included bronzed skin, defined brows, smoky eyeshadow and glossy nude lips. Pink nails added another colour detail to the look.

Photo: Getty Images

The Mowalola outfit fits Tyla’s preference for body-conscious designs and unconventional styling on major red carpets. At the 2024 Met Gala, she wore a custom Balmain gown made with sand and crystal details, while her 2025 VMAs look drew on an archival Chanel design. Her latest appearance takes a different approach, using snakeskin print, a lingerie-inspired top and a low-rise skirt to bring another distinctive look to the VMAs.

Bonang Matheba brought a distinctly Nigerian fashion touch to the L’Oréal Paris Ultimate Makeup Masterclass in Johannesburg on 19 September, where she served as MC. Held at the Kyalami Grand Prix Circuit, the event brought together beauty personalities including actress Ama Qamata and international makeup artist Harold James.

Photo: Instagram/@Bonang Matheba

For the occasion, Bonang wore a custom gown created by Nigerian fashion brand Emagine by Bukola, from a concept by stylist and designer Makililo Nelson A. The burnt-orange dress was covered in detailed beadwork in red, green, gold and darker tones, with swirling motifs running across the halter-neck bodice. A small cutout sat below the bust, while a pointed orange panel defined the waist.

The skirt was where the design became particularly distinctive. Long orange strands of fringe fell from the waist and continued down the floor-length skirt, mixed with rows of multicoloured beads in earthy shades. Makililo said the design was developed with Bonang’s role as host in mind, with movement considered as part of the concept. His inspiration included African earth tones, traditional handcrafted details and paisley-inspired motifs.

Photo: Instagram/@Bonang Matheba

Bonang kept her accessories in the same colour family. She carried a small beaded clutch decorated with orange fringe and floral details, while gold strappy heels were visible beneath the gown. Gold earrings and a slim bracelet added jewellery without introducing another strong colour.

Her hair was pulled into a high ponytail, with the length falling down her back. The makeup featured defined brows, black winged liner, full lashes and a nude lip, keeping the beauty look relatively simple against the detailed gown.

Photo: Instagram/@Bonang Matheba

The look also fits Bonang’s established relationship with Nigerian designers. At the 2024 Miss South Africa finale, she wore five looks created by Nigeria-based designers, including Veekee James, SOMO, Sheye Oladejo, Mazelle Bridal and Emagine by Bukola. Her latest Emagine by Bukola gown continues that connection, this time pairing the couture finish she often brings to major hosting appearances with layers of orange fringe and intricate African-inspired beadwork.

Siyanda Bani opted for an all-white outfit for the Fenty event, pairing a cropped lace jacket with wide-leg trousers for a tailored take on neutral dressing.

Siya wore a fitted, long-sleeved lace jacket with a high collar and rows of gold-tone buttons down the front. The floral lace gave the jacket its main texture, while its cropped cut exposed a small section of her midriff above the trousers.

Photo: Instagram/@siyabunny

She paired it with high-waisted white trousers cut with a wide leg and a floor-skimming hem. The trousers were loose through the leg, with the volume giving the fitted jacket a clear contrast.

Bani kept the accessories within the same neutral colour family. She carried a small cream handbag with a short handle and gold hardware, while pointed-toe shoes were partly concealed beneath the long trousers. A fine necklace added a small jewellery detail, while her oversized dark sunglasses provided the strongest contrast against the white outfit.

Photo: Instagram/@siyabunny

Her beauty look followed the same clean approach. Bani wore her long dark hair loose in waves, parted near the centre and falling over her shoulders. Her makeup included defined eyes, shaped brows and a nude-brown lip, keeping the focus on her face and the outfit’s details.

The look also fits comfortably within Bani’s wider approach to fashion. She was named GLAMOUR South Africa’s Best Personal Style winner in 2025, with the publication noting the way her wardrobe brings together different textures, cultures and eras.

Photo: Instagram/@siyabunny

That variety has remained visible in her more recent appearances. In August 2026, Bani was featured in a sky-blue ruffled dress styled with gold stiletto heels, a matching bag and sunglasses. Her latest Fenty look takes a different route, stripping the colour back to white while relying on lace, tailoring, oversized trousers and carefully chosen accessories to give the outfit its character.