Music
Beyoncé Releases ‘Morning Dew (Donk)’ in Surprise Release
Beyoncé has released ‘Morning Dew (Donk)’ without prior announcement, giving fans their first new solo song since 2024’s Cowboy Carter. The track arrived over the Fourth of July weekend in the United States and quickly drew attention across streaming platforms and social media.
The release also launches the 20th anniversary celebrations for B’Day, Beyoncé’s second solo studio album, which was released in 2006 and featured hits including Irreplaceable, Déjà Vu and Ring the Alarm. According to information released alongside the song, Morning Dew (Donk) was recorded during the B’Day sessions but did not make the final track list. It will now appear on the album’s upcoming anniversary edition, nearly 20 years after it was first recorded.

Beyoncé – Instagram
The song reunites Beyoncé with longtime collaborators Pharrell Williams, The-Dream and Darius Dixon, who share writing credits. Production was handled by Beyoncé and Pharrell Williams.
To accompany the release, Beyoncé shared a lyric video featuring archival footage filmed by photographer and director Cliff Watts during the B’Day era. The black-and-white visuals show the singer during a 2007 photo shoot, linking the newly released track to the period in which it was originally recorded.

Beyoncé – Instagram
Rumours about a song titled Donk had circulated for years after references to the track appeared in music industry databases, but it was never officially released. Its arrival resolves long-running speculation surrounding the recording while adding another chapter to the B’Day anniversary celebrations.
The release also comes as fans continue to speculate about Beyoncé’s next studio project. Following Renaissance and Cowboy Carter, many have been expecting the third instalment of her planned trilogy. While Morning Dew (Donk) is a previously unreleased recording from the B’Day sessions rather than a preview of a new musical direction, it arrives at a time when interest in her next project remains high.

Beyoncé – Instagram
By opening the B’Day anniversary celebrations with an unreleased recording from the vault, Beyoncé has revisited an important chapter of her career while giving listeners a chance to hear a track that remained unfinished business for nearly two decades.
Music
Orchid MusiQ Drops Debut Solo Single “Hambe”
Orchid MusiQ has released her debut solo single, “Hambe,”. The song is available across major streaming platforms and introduces Orchid MusiQ as a lead artist.
“Hambe,” also listed as “Hambe (Endleleni),” was released on September 4, 2026. The six-minute track is classified as Amapiano and credits Orchid MusiQ alongside Megamind Nova and Kenton Lee. The single was released through The T Effect and distributed through Believe.

Photo: Instagram/@Orchid_musiq
The title carries a connection to the song’s message. “Endleleni” is a Zulu expression that means “on the path” or “on the road.” The track brings together Orchid MusiQ’s vocals and elements.
Read Also: De Mthuda Drops New EP, ‘Noise
The release follows several years of work as a collaborator. Orchid MusiQ has recorded with artists including Sam Deep, Da Muziqal Chef, Sino Msolo and Nasty C. Her catalogue includes collaborations such as “Woza” with Sam Deep and “Dlala” with Da Muziqal Chef.
Her contribution to “Uyadlala” with Sykes, Zeh McGeba and GL_Ceejay has also surpassed one million Spotify streams. Orchid MusiQ’s connection to Cotton Fest has also been part of her career development. In 2023, she became the first woman in Durban to win the Cotton Fest Open Mic competition. She later joined the University of Cotton Fest Class of 2026, a programme connected to the creative legacy of the late rapper Riky Rick.

Instagram/@Orchid_musiq
This results in a MashBeatz and features Orchid MusiQ on several tracks, including “Listen To The Kids,” “Mali,” “This Is Home” and “Everybody Stay Shining.”
Her musical style draws from African genres like Amapiano and Pop. This has allowed her to work with artists from different backgrounds while developing her own musical identity.
With “Hambe,” Orchid MusiQ has shown her musical skills. The single introduces her sound as a solo artist while building on the experience she has gained through previous collaborations, performances and creative programmes.
Music
Dr Smama and Nhlanhla Mafu Join Forces on New Love Song ‘Isifiso Sami’
Dr Smama has teamed up with Mafikizolo vocalist Nhlanhla Mafu for Isifiso Sami, new love song that combines Afro soul with the sound of Maskandi guitar.
The song title means “My Wish,” and talks about love and commitment despite pressure from others.
This marks the first time Dr Smama and Mafu have recorded a song together. According to Mafu, they did not want to rush into a collaboration simply because of their friendship.
“We have been friends for over two decades, so working together was always inevitable, but we wanted something that is distinct and honest.”

Photo: Getty Images
Simama, whose real name is Sindile Simama. The SAMA-nominated artist is known as a performer and songwriter. He has written for artists like Berita, Nokwazi and the late Lundi Tyamara.
The Maskandi influence was one of the main reasons why Dr Smama loved it. The traditional guitar sound takes him away from the gospel and soul style that has featured in his work.
Read Also: Cassper Nyovest and Nasty C Release New Single ‘Lil Mama’
The song’s message also moves beyond the usual themes of romance. According to Dr Smama:
“When I heard Isifiso Sami, I was sold instantly. You simply do not hear people express devotion or declare love like this anymore.”
Mafu believes the depth of traditional lyricism can sometimes get lost in the music industry. “Isifiso Sami” takes a slower approach by placing the story and meaning of the lyrics at the centre of the music.

Photo: Getty Images
Smama is a medical doctor and holds an MBChB from the University of Cape Town. His work as a songwriter has connected him with several South African artists, His own music has also earned him a SAMA nomination.
“Isifiso Sami” was released on September 4, 2026, on major digital streaming platforms.
Music
MaWhoo and Lwah Ndlunkulu’s “Isithembu” Marks a New Chapter for Maskandi
MaWhoo and Lwah Ndlunkulu have come together as the Zulu Queens for Isithembu. Released on August 28, 2026, the project is a combination of Maskandi with Afropop, Amapiano and other South African sounds.
MaWhoo is known mainly for her work in Amapiano and Afro-pop, while Lwah Ndlunkulu has built her career around a more traditional-influenced sound. Isithembu gives them an opportunity to explore Maskandi from a different aspect. The album was released under the Zulu Queens name, which was given by Mthandeni SK.
One of the project’s themes is female representation. Lwah Ndlunkulu said the decision to enter a male-dominated genre was deliberate. She said:
“We intentionally entered a male-dominated genre to prove that women can do anything and succeed at it.”

Photo: @mawhoo_ / Instagram
Read Also: Rowlene Explores Love and Heartbreak on New Album ‘Some Strings Attached
Isithembu shows how Maskandi can connect with younger and more diverse audiences. The album’s lead single, “Distance,” featuring Feza, was released on August 19. The song introduced listeners to the direction of the project and focused on the emotional experience of being separated from someone important. Feza’s appearance also added another female voice to the collaboration.
The album includes several names from the Maskandi scene. Feza, Izingane Zoma, Mthandeni SK and Siya Ntuli are among the artists in the project.
While making Isithembu, the artists recorded the album in about a week during the first sessions, but the recordings were later lost, forcing them to start again. Lwah said the second recording process took roughly two to three weeks, and the pair felt the new version retained the energy they wanted.

Photo: @mawhoo_ / Instagram
The album’s cultural focus was clear at its launch. MaWhoo and Lwah appeared in modern interpretations of traditional Zulu clothing.
With Isithembu, MaWhoo and Lwah Ndlunkulu show how Maskandi can welcome new voices while keeping its connection to Zulu culture. The project adds more visibility for women in the genre and suggests that its future can include different sounds and generations
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