Fashion

Why Nomalanga Shozi Is South Africa’s Ultimate Cool Girl in Fashion

Published

1 year ago

27 June 2025

There are some people who just get fashion. Not in the flashy, try-hard way, but in the kind of way that makes you stop scrolling and think, “Now that’s style.” Nomalanga Shozi is one of those people.

Whether she’s lighting up a red carpet or keeping it effortlessly cool in streetwear, there’s something about the way she puts herself together that feels intentional, fresh, and never forced. She doesn’t follow trends. She sets them in her own bold, sometimes minimal, sometimes dramatic way.

Here’s a breakdown of standout looks that prove Nomalanga isn’t just wearing clothes, she’s owning every single outfit.

The All-Black Power

Nomalanga Shozi

Let’s start with a classic, the all-black outfit that does everything. Nomalanga wears a wrap-style top, tailored black pants, and a long, flowing coat that moves with her like a cape. It’s clean, it’s powerful, and it’s the kind of outfit that doesn’t need to shout to make a statement.

Her hair is styled in soft curls that add a bit of romance to the structured fit. The red lipstick? Iconic. It ties everything together and gives the outfit that final stamp of confidence.

There’s something deeply magnetic about a woman in all black who doesn’t try too hard.

The Olive Green Dress That Shut the Staircase Down

Nomalanga Shozi

This gown deserves its own moment. A rich olive green satin dress, form-fitting in all the right places, with a thigh-high slit that adds just the right amount of drama. That’s what Nomalanga gave us with this look.

The fabric catches light beautifully, and the color choice is amazing. It’s warm, unexpected, and brings out the glow in her skin like it was made just for her.

She keeps the accessories minimal, letting the dress do most of the talking, and pairs it with clear heels that don’t distract from the silhouette. It’s the kind of red carpet look that feels regal, but not overdone. Sexy, but still classy. In short, unforgettable.

The Bold Red Suit That Breaks All the Rules

Nomalanga Shozi

Now, this one? This is what happens when you mix business with boldness. Nomalanga ditches the idea that suits have to be stiff or boring. Instead, she pulls up in a fiery red tailored set that looks like it came straight out of a power fantasy.

The blazer fits like a dream, and the wide-legged trousers bring that boss energy in full. But what really takes this outfit to the next level is the red top underneath, and the red tie embroidered with black detailing that gives it depth and personality. It’s daring, but it’s smart. Sexy, but intentional.

Her sleek bob hairstyle completes the look with razor-sharp elegance.

The Street-Chic Look That Shouldn’t Work, But Totally Does

Nomalanga Shozi

This is the look that proves Nomalanga can do both. She takes a few unexpected pieces, a black baseball cap, a blazer, tights, and ankle-strap heels, and somehow makes them look completely cohesive.

On paper, it sounds like a mix of gym, boardroom, and cocktail hour. But when she wears it? It’s cool, modern, and ridiculously stylish. The tights balance out the blazer, while the structured heels elevate the whole vibe (literally and figuratively).

What ties it all together is the attention to detail, long metallic earrings, dark nails, and a bright red clutch that adds the perfect pop of colour. It’s edgy but not chaotic. You can tell she’s having fun with fashion, but still knows exactly what she’s doing.

The Textured Gold And Black Gown That Belongs in a Museum

Nomalanga Shozi

If elegance had a physical form, it would look like this dress. This strapless black gown is completely covered in small, round metallic gold embellishments that give it texture, movement, and an almost sculptural feel. It fits her like a second skin, highlighting her shape without needing any gimmicks.

Her hair is pulled back in a sleek, which makes it simple, clean, and exactly what the dress needs. She wears a pair of gold earrings and a delicate bracelet, letting the texture of the dress shine without any distractions.

It’s the kind of gown you could stare at for hours, and still discover new details. Glamorous, sophisticated, and timeless.

So, What Makes Nomalanga Shozi the Ultimate Cool Girl?

It’s not just the clothes, it’s the confidence, the consistency, and the way she tells a story with every outfit. She’s not trying to look like anyone else. She’s just showing up as herself, fully and unapologetically.

Nomalanga Shozi has mastered the art of balance. One day she’s in a bold red power suit, the next she’s giving soft glam in satin. She can go from edgy streetwear to full red carpet royalty and still make it look seamless. That’s what cool girls do. They don’t chase fashion, they make it follow them.

Up Next

Who Runs the Fashion Game? Bonang Matheba or Pearl Thusi?

Don't Miss

Bonang Matheba Embraces a New Age with Style and Gratitude

Click to comment

Fashion

Bryoni Govender Brings South African Style to Jaipur

Published

2 weeks ago

28 September 2026

Tega Ekeri

Bryoni Govender has joined a South African creative project in Jaipur, India, as part of the 2026 Art of Collaboration. The project brings together fashion, beauty, jewellery, design, film and photography under the theme Heritage in Dialogue, Luxury Redefined.

Founded by South African designer Stephen Van Eeden, the Jaipur edition places South African creative work alongside the city’s established traditions of craftsmanship, textiles, jewellery and architecture.

Photo: PR

Govender’s involvement also reflects her own South African and Indian heritage. That connection is explored in Where I Belong, a fashion film directed by Paula Zapata, with Maropeng Vushangwe as director of photography. The film forms part of the wider Jaipur project.

Van Eeden led the creative direction, while fashion and lifestyle photographer Christine Le Roux captured the still images. Tanya Vos worked on make-up and Carissa Bosman handled hair styling in Jaipur, with Marlene du Toit contributing to the hair work at Lanzerac in South Africa.

Photo: PR

The project includes South African brands and creative businesses across beauty, fragrance, eyewear, fashion and hospitality. The Leela Palace Jaipur and Lanzerac Hotel & Spa are also part of the project.

The Jaipur edition follows previous Art of Collaboration projects in New York in 2019, Cape Town in 2020, Paris in 2022 and Marrakech in 2024. The 2026 edition was unveiled on 10 September with the premiere of the project film and documentary trailer, alongside presentations of the work created for the Jaipur chapter.

For Govender, the project follows her previous use of fashion to explore her heritage. In 2023, when she represented South Africa at Miss Universe, her national costume drew from Indian and African influences, combining a sari-inspired design with Zulu beadwork and an Ndebele-inspired pattern. Govender described the outfit as a reflection of her two heritages.

Photo: PR

She also spoke about her changing approach to fashion in a 2024 interview with TrueLove, saying she was still learning what suited her in terms of colour, texture and shape. She discussed moving away from darker clothing and becoming more comfortable with colours that complemented her skin tone.

Her appearance in Jaipur brings those elements together in a project that places South African creative work in an Indian setting, while using fashion, film and photography to explore heritage and identity.

Fashion

Gert-Johan Coetzee Opens First Retail Boutique in Johannesburg

Published

3 weeks ago

22 September 2026

Fadire Olusola

Photo: Instagram/@GertJohancoetzee

Gert-Johan Coetzee has launched his first retail boutique in Johannesburg. This will allow customers a permanent space to shop his designs. The place is located at the Winifred Mandela Precinct at Nicolway Shopping Centre in Bryanston.

The designer is known for his red-carpet creations and celebrity dressing. Customers can shop ready-to-wear pieces from the latest collection. It also carries limited-edition accessories and merchandise created for the Bryanston location. One of the additions to the store is the designer’s Ndlovu luxury handbag range. The bags are available in-store and on demand.

Photo: Instagram/@GertJohancoetzee

The store also stocks Coetzee’s fragrance collection. The range consists of six fragrances which are Gimme Gimme, Eau de Trouble, Rumours & Roses, Top Secret, Shhhh and Uncontainable. The designer draws inspiration from fashion career and his experiences in Grasse, France.

The fragrance collection was introduced to South African shoppers in August through a retail collaboration with TFG, with a launch at Foschini in Sandton City. According to Ofentse Marobane, Head of Retail at Gert-Johan Coetzee :

“Our goal with the private shopping experience is to offer clients an intimate, elevated environment where they receive our complete and undivided attention,”

Photo: Instagram/@GertJohancoetzee

The new boutique has been designed to match the look of the fashion house. The interior uses marble and other premium stone surfaces, with aubergine accents. Clothing is displayed as part of the store’s interior design.

Opening hours are from Monday to Saturday between 9am and 6pm. On Sundays and public holidays, they open from 9am to 3pm.

Photo: Instagram/@GertJohancoetzee

The new boutique brings Coetzee’s fashion, accessories and fragrance offerings together under one retail destination.

The new retail space offers direct access to Gert-Johan Coetzee’s collections without relying on external stockists. It also gives the designer a physical presence in the city as his brand continues to grow.

Fashion

Precious Moloi-Motsepe’s Influence Across Fashion, Beauty and Business

Published

3 weeks ago

21 September 2026

Tega Ekeri

Photo: Instagram/@Precious Moloi-Motsepe

Precious Moloi-Motsepe has built a career spanning medicine, fashion, business and philanthropy, but her strongest influence on South Africa’s fashion industry has come through African Fashion International (AFI), the organisation she founded in 2007.

AFI was created to promote African designers and give them access to platforms beyond the traditional fashion show. Over the years, it has grown to include fashion weeks in Johannesburg and Cape Town, designer development, retail, international showcases and industry partnerships.

Photo: Getty Images

One of its key initiatives is the AFI Fastrack programme, which supports emerging designers with business development, mentorship, networking and market exposure. Its alumni include South African designers Thebe Magugu and Rich Mnisi, who have since built international careers. The programme reflects Moloi-Motsepe’s focus on the business side of fashion, giving young creatives tools to develop brands as well as collections.

That approach has helped position fashion as more than a creative pursuit. AFI has consistently placed emphasis on the commercial realities facing designers, including production, marketing, business management and access to markets. Moloi-Motsepe has also spoken about the challenges facing South Africa’s clothing industry, including production costs and limited manufacturing infrastructure.

Photo: Simon Deiner / SDR

Her influence reaches into beauty and lifestyle through the broader fashion platforms AFI has developed. Its events bring together designers, stylists, musicians, celebrities and beauty professionals, placing clothing alongside hair, make-up and entertainment. AFI’s work around major events, including the Metro FM Music Awards, has further connected fashion with South Africa’s music and entertainment industries.

The international side of her work has also expanded. In 2025, AFI was involved with Superfine: Tailoring Black Style, the Metropolitan Museum of Art exhibition exploring Black dandyism and its history. AFI also co-hosted Afro Dandy: Tailored for Africa with Harvard’s Center for African Studies in New York, extending the conversation around African fashion beyond the continent.

Photo: Getty

Back in South Africa, AFI continues to provide platforms for established and emerging designers through fashion events, retail initiatives and collaborations. The organisation has also developed its own fashion ventures, including NALA Privé.

Moloi-Motsepe’s business interests extend beyond fashion. Through the Motsepe Foundation, which she co-founded with Patrice Motsepe, she has been involved in education, entrepreneurship, community development, sport, music and leadership programmes. The foundation has also supported bursaries and initiatives aimed at expanding opportunities for young people.

Photo: Getty

Her career is therefore less about designing clothes herself and more about building the structures around those who do. Through AFI, she has spent almost two decades connecting African designers with audiences, industry professionals and commercial opportunities.

That has made her work relevant across fashion, beauty and business. The clothes may be what audiences see first, but Moloi-Motsepe’s contribution has largely been behind the platforms, programmes and partnerships that help African creative businesses grow.